Overwhelmed by information
Too much to learn before sounding good
Jazz feels like a mountain of prerequisites. You're scared to start, paralysed by how much there is, and frustrated that you can't jump ahead to where you want to be.
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Videos
11:28:07
Total runtime
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Downloadable docs
Course 12/12
Applying Melodic Content Over Jazz Standards
Regular Price$ 120.00
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The finish line. In this final module, you bring every previous concept together. Tony walks you through classic Jazz Standards, demonstrating how to apply harmony, technique, and melodic concepts to real-world musical scenarios. Learn to navigate "The Great American Songbook" with the confidence of a master.
Join the Master CourseBefore this course
Does any of this sound familiar?
These are the exact patterns Tony sees in students every day — and every single one is fixable.
Limited options & ideas
Not enough in the toolkit to create a voice
When you solo, you reach for the same material every time. The melodic options run out fast, and there's nothing left to make your playing sound like you.
Fear of jazz standards
Not ready to take the plunge
The progressions are tricky. The standards feel like they belong to players further along. So you avoid the challenging repertoire and wait for a confidence that hasn't arrived.
Tempo & density panic
No time to think when it moves fast
At tempo, the thinking shuts down. When chords move every two beats instead of four, the whole system collapses and you freeze instead of play.
Forcing music instead of creating
Pushing harder, getting less
You're trying — really trying. But the harder you force it, the more tense and mechanical the playing becomes. You're waiting to be ready instead of making music right now.
Harmonic construction ignorance
No idea where the chords are coming from
The progression is in front of you but the logic behind it isn't clear. Finding the right scale for each chord is still a search, not an instinct.
Academic concepts that don't translate
Theory in your head, not in your hands
The concepts are there intellectually. But the dynamics, time feel, intention, and care that turn theory into music — those aren't coming through. It stays abstract.
No roadmap or training system
No clear path from here to there
You know you need to develop this. You don't know the order. There's no systematic approach to training your ears and fingers to respond intuitively when you see a chord.
Missing musical habits
Practising without building anything lasting
The work isn't compounding. You practise material that doesn't translate to real playing, and the habits that should be accumulating over time simply aren't forming.
This course transforms you from a player overwhelmed and scared by jazz standards into a confident, organized improviser who maximizes their current level, has infinite melodic options, understands harmonic construction, handles any tempo or chord density, and creates music with intention, care, and their own unique voice—all while staying relaxed and enjoying the limitless expression jazz offers.
Course content
What's inside the course
Applying Melodic Content over Jazz Standards Introduction
02:56
Module 1: All The Things You Are (16 videos)
05:05:01
Module 2: Solar (16 videos)
03:18:27
Module 3: Giant Steps (16 videos)
03:03:37
Module 4: Coming soon...
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Designed to meet the needs of:
Beginner level
Intermediate level
Advanced level
The Tony Grey bass academy gave me all I was looking for and much more. I have so much fun and pleasure to study with Tony.
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I learned about your Bass Academy a couple of weeks ago, by a Facebook message from Mike Stern. I followed one free lesson and was immediately impressed by the way you give your classes. It is innovative and the balance between study and creativity is very good. Bass players at any level can learn from the Bass Academy. Tony Grey Bass Academy is already planned in my daily routine playing!!
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“I can say without hesitation that your lessons have changed my playing. Thanks.”
Handle any tempo
Enjoying the limitless expression that jazz offers
Everything you've learned — finally applied to the music that demands the most from you.
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