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Organizing your Practice
Course Content
| Module 1 | Organize Your Practice | |
| Unit 1 | Musicians Mindset | |
| Unit 2 | Optimizing your Practice Schedule |
| Module 1 | Understanding Harmony | |
| Unit 1 | Learn The Rhythms First | |
| Unit 2 | Rhythm Exercises | |
| Unit 3 | Introduction To Notation | |
| Unit 4 | Introduction To Note Angle | |
| Unit 5 | Introducing The Chromatic Scale | |
| Unit 6 | Understanding Key Signatures (Major Scale) | |
| Unit 7 | Understanding Key Signatures (Minor Scale) | |
| Unit 8 | Understanding Major Modes | |
| Unit 9 | Understanding Intervals | |
| Unit 10 | Diatonic Intervals found within the Major Scale | |
| Unit 11 | Diatonic Intervals found within the Major Modes | |
| Unit 12 | Compound Intervals | |
| Unit 13 | Understanding Interval Inversions | |
| Unit 14 | Understanding Triads | |
| Unit 15 | Triad Inversions | |
| Unit 16 | Diatonic Triads found in the Major Modes | |
| Unit 17 | Understanding 4-Note Chords | |
| Unit 18 | 4-Note Chord Inversions | |
| Unit 19 | Diatonic 4-Note Chords found in the Major Modes | |
| Unit 20 | Tensions found in the Major Modes | |
| Unit 21 | Functional Harmony | |
| Unit 22 | Understanding Minor Harmony | |
| Unit 23 | Understanding the Melodic Minor Modes | |
| Unit 24 | Tensions found in the Melodic Minor Modes |
| Module 1 | Academy Ear Training | |
| Unit 1 | Understanding Solfege | |
| Unit 2 | Ear Training with Intervals Lesson 1 | |
| Unit 3 | Ear Training with Intervals Lesson 2 | |
| Unit 4 | Ear Training with Intervals Lesson 3 | |
| Unit 5 | Movable Do Lesson 1 | |
| Unit 6 | Ear Training with Diatonic Triads found within the Major Modes | |
| Unit 7 | Movable Do Lesson 2 | |
| Unit 8 | Ear Training with Diatonic 4-note chords found within the Major Modes | |
| Unit 9 | Movable Do Lesson 3 | |
| Unit 10 | Melodic Dictation | |
| Unit 11 | Ear Training with the Chromatic Scale Lesson 1 | |
| Unit 12 | Ear Training with the Chromatic Scale Lesson 2 |
| Module 1 | Academy Technique | |
| Unit 1 | Practicing with a Metronome | |
| Unit 2 | Warmup Exercises | |
| Unit 3 | Muting Technique | |
| Unit 4 | Right Hand Raking Technique | |
| Unit 5 | Slap and Pop Technique | |
| Module 2 | Permutation Fingering Patterns | |
| Unit 1 | Permutation Fingering Patterns Introduction | |
| Unit 2 | Permutation Pattern 1234 | |
| Unit 3 | Permutation Pattern 1243 | |
| Unit 4 | Permutation Pattern 1324 | |
| Unit 5 | Permutation Pattern 1342 | |
| Unit 6 | Permutation Pattern 1423 | |
| Unit 7 | Permutation Pattern 1432 | |
| Unit 8 | Permutation Pattern 2134 | |
| Unit 9 | Permutation Pattern 2143 | |
| Unit 10 | Permutation Pattern 2314 | |
| Unit 11 | Permutation Pattern 2341 | |
| Unit 12 | Permutation Pattern 2413 | |
| Unit 13 | Permutation Pattern 2431 | |
| Unit 14 | Permutation Pattern 3124 | |
| Unit 15 | Permutation Pattern 3142 | |
| Unit 16 | Permutation Pattern 3214 | |
| Unit 17 | Permutation Pattern 3241 | |
| Unit 18 | Permutation Pattern 3412 | |
| Unit 19 | Permutation Pattern 3421 | |
| Unit 20 | Permutation Pattern 4123 | |
| Unit 21 | Permutation Pattern 4132 | |
| Unit 22 | Permutation Pattern 4213 | |
| Unit 23 | Permutation Pattern 4231 | |
| Unit 24 | Permutation Pattern 4312 | |
| Unit 25 | Permutation Pattern 4321 | |
| Module 3 | Endurance Exercises | |
| Unit 1 | Endurance Technique Exercise 1 | |
| Unit 2 | Endurance Technique Exercise 2 | |
| Unit 3 | Endurance Technique Exercise 3 | |
| Unit 4 | Endurance Technique Exercise 4 |
| Module 1 | Bass Lines | |
| There are no units in this module. | ||
| Module 2 | • Jazz (Walking Bass Lines) | |
| Unit 1 | Walking Bass Lines Introduction | |
| Unit 2 | Walking Bass Lines Lesson 1 | |
| Unit 3 | Walking Bass Lines Lesson 2 | |
| Unit 4 | Walking Bass Lines Lesson 3 | |
| Unit 5 | Walking Bass Lines Lesson 4 | |
| Unit 6 | Walking Bass Lines Lesson 5 | |
| Unit 7 | Walking Bass Lines Lesson 6 | |
| Unit 8 | Walking Bass Lines Lesson 7 | |
| Unit 9 | Walking Bass Lines Lesson 8 | |
| Module 3 | • Rock | |
| Unit 1 | Rock Style Bass Lines Introduction | |
| Unit 2 | Rock Style Lesson 1 | |
| Unit 3 | Rock Style Lesson 2 | |
| Unit 4 | Rock Style Lesson 3 | |
| Unit 5 | Rock Style Lesson 4 | |
| Unit 6 | Rock Style Lesson 5 | |
| Unit 7 | Rock Style Lesson 6 | |
| Unit 8 | Rock Style Lesson 7 | |
| Unit 9 | Rock Style Lesson 8 | |
| Module 4 | • Country | |
| Unit 1 | Country Style Bass Lines Introduction | |
| Unit 2 | Country Style Lesson 1 | |
| Unit 3 | Country Style Lesson 2 | |
| Module 5 | • Latin | |
| Unit 1 | Latin Style Bass Lines Introduction | |
| Unit 2 | Latin Style Lesson 1 (Samba) | |
| Unit 3 | Latin Style Lesson 2 (Bossa Nova) | |
| Unit 4 | Latin Style Lesson 3 | |
| Unit 5 | Latin Style Lesson 4 | |
| Unit 6 | Latin Style Lesson 5 | |
| Module 6 | • Reggae | |
| Unit 1 | Reggae Style Bass Lines Introduction | |
| Unit 2 | Reggae Style Lesson 1 | |
| Unit 3 | Reggae Style Lesson 2 | |
| Unit 4 | Reggae Style Lesson 3 | |
| Unit 5 | Reggae Style Lesson 4 | |
| Module 7 | • Blues | |
| Unit 1 | Blues Style Bass Lines Introduction | |
| Unit 2 | Blues Style Lesson 1 | |
| Unit 3 | Blues Style Lesson 2 | |
| Unit 4 | Blues Style Lesson 3 | |
| Unit 5 | Blues Style Lesson 4 | |
| Unit 6 | Blues Style Lesson 5 | |
| Module 8 | • Funk | |
| Unit 1 | Funk Style Introduction | |
| Unit 2 | Funk Style Lesson 1 | |
| Unit 3 | Funk Style Lesson 2 | |
| Unit 4 | Funk Style Lesson 3 | |
| Unit 5 | Funk Style Lesson 4 | |
| Module 9 | • R&B | |
| Unit 1 | R&B Style Bass Lines Introduction | |
| Unit 2 | R&B Style Lesson 1 | |
| Unit 3 | R&B Style Lesson 2 | |
| Unit 4 | R&B Style Lesson 3 | |
| Unit 5 | R&B Style Lesson 4 | |
| Unit 6 | R&B Style Lesson 5 | |
| Module 10 | • Slap and Pop | |
| Unit 1 | Slap and Pop Style Bass Lines Introduction | |
| Unit 2 | Slap and Pop Style Lesson 1 | |
| Unit 3 | Slap and Pop Style Lesson 2 | |
| Unit 4 | Slap and Pop Style Lesson 3 | |
| Unit 5 | Slap and Pop Style Lesson 4 | |
| Unit 6 | Slap and Pop Style Lesson 5 |
| Module 1 | Fingerboard Study for the Major Modes | |
| There are no units in this module. | ||
| Module 2 | Fingerboard Study for the Major Modes (Whole Range Lessons) | |
| Unit 1 | Major Modes Fingerboard Study Vertical Positions Part 1 | |
| Unit 2 | Major Modes Fingerboard Study Vertical Positions Part 2 | |
| Unit 3 | Major Modes Fingering Pattern Rules Part 1 | |
| Unit 4 | C Major Scale Whole Range Lesson | |
| Unit 5 | C Ionian Whole Range Lesson | |
| Unit 6 | D Dorian Whole Range Lesson | |
| Unit 7 | E Phrygian Whole Range Lesson | |
| Unit 8 | F Lydian Whole Range Lesson | |
| Unit 9 | G Mixolydian Whole Range Lesson | |
| Unit 10 | A Aeolian Whole Range Lesson | |
| Unit 11 | B Locrian Whole Range Lesson | |
| Module 3 | Fingerboard Study for the Major Modes (Whole Range in 3rds Lessons) | |
| Unit 1 | Fingering Pattern Rules Part 2 | |
| Unit 2 | C Major Scale Whole Range 3rds Lesson | |
| Unit 3 | C Ionian Whole Range 3rds Lesson | |
| Unit 4 | D Dorian Whole Range 3rds Lesson | |
| Unit 5 | E Phrygian Whole Range 3rds Lesson | |
| Unit 6 | F Lydian Whole Range 3rds Lesson | |
| Unit 7 | G Mixolydian Whole Range 3rds Lesson | |
| Unit 8 | A Aeolian Whole Range 3rds Lesson | |
| Unit 9 | B Locrian Whole Range 3rds Lesson | |
| Module 4 | Fingerboard Study for the Major Modes (Whole Range in alternating ascending and descending 3rds Lessons) | |
| Unit 1 | C Major Scale Whole Range Alternating Ascending and Descending 3rds Lesson | |
| Unit 2 | C Ionian Whole Range Alternating Ascending and Descending 3rds Lesson | |
| Unit 3 | D Dorian Whole Range Alternating Ascending and Descending 3rds Lesson | |
| Unit 4 | E Phrygian Whole Range Alternating Ascending and Descending 3rds Lesson | |
| Unit 5 | F Lydian Whole Range Alternating Ascending and Descending 3rds Lesson | |
| Unit 6 | G Mixolydian Whole Range Alternating Ascending and Descending 3rds Lesson | |
| Unit 7 | A Aeolian Whole Range Alternating Ascending and Descending 3rds Lesson | |
| Unit 8 | B Locrian Whole Range Alternating Ascending and Descending 3rds Lesson | |
| Module 5 | Fingerboard Study for the Major Modes (Whole Range in 4ths Lessons) | |
| Unit 1 | C Major Scale Whole Range 4ths Lesson | |
| Unit 2 | C Ionian Whole Range 4ths Lesson | |
| Unit 3 | D Dorian Whole Range 4ths Lesson | |
| Unit 4 | E Phrygian Whole Range 4ths Lesson | |
| Unit 5 | F Lydian Whole Range 4ths Lesson | |
| Unit 6 | G Mixolydian Whole Range 4ths Lesson | |
| Unit 7 | A Aeolian Whole Range 4ths Lesson | |
| Unit 8 | B Locrian Whole Range 4ths Lesson | |
| Module 6 | Fingerboard Study for the Major Modes (Whole Range in alternating ascending and descending 4ths Lessons) | |
| Unit 1 | C Major Scale Whole Range Alternating Ascending and Descending 4ths Lesson | |
| Unit 2 | C Ionian Scale Whole Range Alternating Ascending and Descending 4ths Lesson | |
| Unit 3 | D Dorian Whole Range Alternating Ascending and Descending 4ths Lesson | |
| Unit 4 | E Phrygian Whole Range Alternating Ascending and Descending 4ths Lesson | |
| Unit 5 | F Lydian Whole Range Alternating Ascending and Descending 4ths Lesson | |
| Unit 6 | G Mixolydian Whole Range Alternating Ascending and Descending 4ths Lesson | |
| Unit 7 | A Aeolian Whole Range Alternating Ascending and Descending 4ths Lesson | |
| Unit 8 | B Locrian Whole Range Alternating Ascending and Descending 4ths Lesson |
| Module 1 | Melodic Development and Fluency Patterns | |
| Unit 1 | Melodic Development Examples | |
| Unit 2 | Linear Virtuoso Bassist Introduction | |
| Unit 3 | Whole Range Diatonic Arpeggios Introduction | |
| Unit 4 | Whole Range Pentatonic Patterns Introduction | |
| Module 2 | 4-String (20 Frets) | |
| Unit 1 | Linear Virtuoso Pattern 1 (4-20) | |
| Unit 2 | Linear Virtuoso Pattern 2 (4-20) | |
| Unit 3 | Linear Virtuoso Pattern 3 (4-20) | |
| Unit 4 | Linear Virtuoso Pattern 4 (4-20) | |
| Unit 5 | Linear Virtuoso Pattern 5 (4-20) | |
| Unit 6 | Whole Range Diatonic Arpeggios Pattern 1 (4-20) | |
| Unit 7 | Whole Range Diatonic Arpeggios Pattern 2 (4-20) | |
| Unit 8 | Whole Range Diatonic Arpeggios Pattern 3 (4-20) | |
| Unit 9 | Whole Range Diatonic Arpeggios Pattern 4 (4-20) | |
| Unit 10 | Whole Range Pentatonic Pattern 1 (4-20) | |
| Unit 11 | Whole Range Pentatonic Pattern 2 (4-20) | |
| Module 3 | 4-String (24 Frets) | |
| Unit 1 | Linear Virtuoso Pattern 1 (4-24) | |
| Unit 2 | Linear Virtuoso Pattern 2 (4-24) | |
| Unit 3 | Linear Virtuoso Pattern 3 (4-24) | |
| Unit 4 | Linear Virtuoso Pattern 4 (4-24) | |
| Unit 5 | Linear Virtuoso Pattern 5 (4-24) | |
| Unit 6 | Whole Range Diatonic Arpeggios Pattern 1 (4-24) | |
| Unit 7 | Whole Range Diatonic Arpeggios Pattern 2 (4-24) | |
| Unit 8 | Whole Range Diatonic Arpeggios Pattern 3 (4-24) | |
| Unit 9 | Whole Range Diatonic Arpeggios Pattern 4 (4-24) | |
| Unit 10 | Whole Range Pentatonic Pattern 1 (4-24) | |
| Unit 11 | Whole Range Pentatonic Pattern 2 (4-24) | |
| Module 4 | 5-String (24 Frets) | |
| Unit 1 | Linear Virtuoso Pattern 1 (5-24) | |
| Unit 2 | Linear Virtuoso Pattern 2 (5-24) | |
| Unit 3 | Linear Virtuoso Pattern 3 (5-24) | |
| Unit 4 | Linear Virtuoso Pattern 4 (5-24) | |
| Unit 5 | Linear Virtuoso Pattern 5 (5-24) | |
| Unit 6 | Whole Range Diatonic Arpeggios Pattern 1 (5-24) | |
| Unit 7 | Whole Range Diatonic Arpeggios Pattern 2 (5-24) | |
| Unit 8 | Whole Range Diatonic Arpeggios Pattern 3 (5-24) | |
| Unit 9 | Whole Range Diatonic Arpeggios Pattern 4 (5-24) | |
| Unit 10 | Whole Range Pentatonic Pattern 1 (5-24) | |
| Unit 11 | Whole Range Pentatonic Pattern 2 (5-24) | |
| Module 5 | 6-String (24 Frets) | |
| Unit 1 | Linear Virtuoso Pattern 1 (6-24) | |
| Unit 2 | Linear Virtuoso Pattern 2 (6-24) | |
| Unit 3 | Linear Virtuoso Pattern 3 (6-24) | |
| Unit 4 | Linear Virtuoso Pattern 4 (6-24) | |
| Unit 5 | Linear Virtuoso Pattern 5 (6-24) | |
| Unit 6 | Whole Range Diatonic Arpeggios Pattern 1 (6-24) | |
| Unit 7 | Whole Range Diatonic Arpeggios Pattern 2 (6-24) | |
| Unit 8 | Whole Range Diatonic Arpeggios Pattern 3 (6-24) | |
| Unit 9 | Whole Range Diatonic Arpeggios Pattern 4 (6-24) | |
| Unit 10 | Whole Range Pentatonic Pattern 1 (6-24) | |
| Unit 11 | Whole Range Pentatonic Pattern 2 (6-24) |
| Module 1 | Linear Solo Concepts for the Major Modes | |
| Unit 1 | Linear Solo Concepts for the Major Modes Lesson 1 | |
| Unit 2 | Linear Solo Concepts for the Major Modes Lesson 2 | |
| Unit 3 | Linear Solo Concepts for the Major Modes Lesson 3 | |
| Unit 4 | Linear Solo Concepts for the Major Modes Lesson 4 | |
| Unit 5 | Linear Solo Concepts for the Major Modes Lesson 5 | |
| Unit 6 | Linear Solo Concepts for the Major Modes Lesson 6 | |
| Unit 7 | Linear Solo Concepts for the Major Modes Lesson 7 | |
| Unit 8 | Linear Solo Concepts for the Major Modes Lesson 8 | |
| Unit 9 | Linear Solo Concepts for the Major Modes Lesson 9 | |
| Unit 10 | Linear Solo Concepts for the Major Modes Lesson 10 | |
| Unit 11 | Linear Solo Concepts for the Major Modes Lesson 11 |
| Module 1 | Fingerboard Study for the Melodic Minor Modes | |
| There are no units in this module. | ||
| Module 2 | Fingerboard Study for the Melodic Minor Modes (Whole Range Lessons) | |
| Unit 1 | Fingerboard Study Melodic Minor Vertical Positions Part 1 | |
| Unit 2 | Fingerboard Study Melodic Minor Vertical Positions Part 2 | |
| Unit 3 | Melodic Minor Fingering Pattern Rules 1 | |
| Unit 4 | C Melodic Minor Scale Whole Range Lesson | |
| Unit 5 | C Melodic Minor Mode Whole Range Lesson | |
| Unit 6 | D Dorian b2 Whole Range Lesson | |
| Unit 7 | Eb Lydian #5 Whole Range Lesson | |
| Unit 8 | F Lydian b7 Whole Range Lesson | |
| Unit 9 | G Mixolydian b6 Whole Range Lesson | |
| Unit 10 | A Aeolian b5 Whole Range Lesson | |
| Unit 11 | B Altered Whole Range Lesson | |
| Module 3 | Fingerboard Study for the Melodic Minor Modes (Whole Range in 3rds Lessons) | |
| Unit 1 | Melodic Minor Fingering Pattern Rules Part 2 | |
| Unit 2 | C Melodic Minor Scale Whole Range 3rds Lesson | |
| Unit 3 | C Melodic Minor Modes Whole Range 3rds Lesson | |
| Unit 4 | D Dorian b2 Whole Range 3rds Lesson | |
| Unit 5 | Eb Lydian #5 Whole Range 3rds Lesson | |
| Unit 6 | F Lydian b7 Whole Range 3rds Lesson | |
| Unit 7 | G Mixolydian b6 Whole Range 3rds Lesson | |
| Unit 8 | A Aeolian b5 Whole Range 3rds Lesson | |
| Unit 9 | B Altered Whole Range 3rds Lesson | |
| Module 4 | Fingerboard Study for the Melodic Minor Modes (Whole Range in alternating ascending and descending 3rds Lessons) | |
| Unit 1 | C Melodic Minor Scale Whole Range Alternating Ascending and Descending 3rds Lesson | |
| Unit 2 | C Melodic Minor Mode Whole Range Alternating Ascending and Descending 3rds Lesson | |
| Unit 3 | D Dorian b2 Whole Range Alternating Ascending and Descending 3rds Lesson | |
| Unit 4 | Eb Lydian #5 Whole Range Alternating Ascending and Descending 3rds Lesson | |
| Unit 5 | F Lydian b7 Whole Range Alternating Ascending and Descending 3rds Lesson | |
| Unit 6 | G Mixolydian b6 Whole Range Alternating Ascending and Descending 3rds Lesson | |
| Unit 7 | A Aeolian b5 Whole Range Alternating Ascending and Descending 3rds Lesson | |
| Unit 8 | B Altered Whole Range Alternating Ascending and Descending 3rds Lesson | |
| Module 5 | Fingerboard Study for the Melodic Minor Modes (Whole Range in 4ths Lessons) | |
| Unit 1 | C Melodic Minor Scale Whole Range 4ths Lesson | |
| Unit 2 | C Melodic Minor Mode Whole Range 4ths Lesson | |
| Unit 3 | D Dorian b2 Whole Range 4ths Lesson | |
| Unit 4 | Eb Lydian #5 Whole Range 4ths Lesson | |
| Unit 5 | F Lydian b7 Whole Range 4ths Lesson | |
| Unit 6 | G Mixolydian b6 Whole Range 4ths Lesson | |
| Unit 7 | A Aeolian b5 Whole Range 4ths Lesson | |
| Unit 8 | B Altered Whole Range 4ths Lesson | |
| Module 6 | Fingerboard Study for the Major Modes (Whole Range in alternating ascending and descending 4ths Lessons) | |
| Unit 1 | C Melodic Minor Scale Whole Range Alternating Ascending and Descending 4ths Lesson | |
| Unit 2 | C Melodic Minor Mode Whole Range Alternating Ascending and Descending 4ths Lesson | |
| Unit 3 | D Dorian b2 Whole Range Alternating Ascending and Descending 4ths Lesson | |
| Unit 4 | Eb Lydian #5 Whole Range Alternating Ascending and Descending 4ths Lesson | |
| Unit 5 | F Lydian b7 Whole Range Alternating Ascending and Descending 4ths Lesson | |
| Unit 6 | G Mixolydian b6 Whole Range Alternating Ascending and Descending 4ths Lesson | |
| Unit 7 | A Aeolian b5 Whole Range Alternating Ascending and Descending 4ths Lesson | |
| Unit 8 | B Altered Whole Range Alternating Ascending and Descending 4ths Lesson |
| Module 1 | Linear Solo Concepts for the Melodic Minor Modes | |
| Unit 1 | Linear Solo Concepts for the Melodic Minor Modes Lesson 1 | |
| Unit 2 | Linear Solo Concepts for the Melodic Minor Modes Lesson 2 | |
| Unit 3 | Linear Solo Concepts for the Melodic Minor Modes Lesson 3 | |
| Unit 4 | Linear Solo Concepts for the Melodic Minor Modes Lesson 4 | |
| Unit 5 | Linear Solo Concepts for the Melodic Minor Modes Lesson 5 | |
| Unit 6 | Linear Solo Concepts for the Melodic Minor Modes Lesson 6 | |
| Unit 7 | Linear Solo Concepts for the Melodic Minor Modes Lesson 7 | |
| Unit 8 | Linear Solo Concepts for the Melodic Minor Modes Lesson 8 | |
| Unit 9 | Linear Solo Concepts for the Melodic Minor Modes Lesson 9 | |
| Unit 10 | Linear Solo Concepts for the Melodic Minor Modes Lesson 10 | |
| Unit 11 | Linear Solo Concepts for the Melodic Minor Modes Lesson 11 |
| Module 1 | Bebop Study | |
| There are no units in this module. | ||
| Module 2 | 1. Passing Tones | |
| Unit 1 | Ionian - Passing Tones | |
| Unit 2 | Lydian - Passing Tones | |
| Unit 3 | Dorian - Passing Tones | |
| Unit 4 | Melodic Minor - Passing Tones | |
| Unit 5 | Mixolydian - Passing Tones | |
| Unit 6 | Lydian b7 - Passing Tones | |
| Unit 7 | Spanish Phrygian - Passing Tones | |
| Unit 8 | Symmetrical Diminished (half-whole) - Passing Tones | |
| Unit 9 | Altered - Passing Tones | |
| Unit 10 | Locrian - Passing Tones | |
| Unit 11 | Symmetrical Diminished (whole-half) - Passing Tones | |
| Module 3 | 2. Scale Approach from Above to Chord Tone | |
| Unit 1 | Ionian - Scale Approach from Above to Chord Tone | |
| Unit 2 | Lydian - Scale Approach from Above to Chord Tone | |
| Unit 3 | Dorian - Scale Approach from Above to Chord Tone | |
| Unit 4 | Melodic Minor - Scale Approach from Above to Chord Tone | |
| Unit 5 | Mixolydian - Scale Approach from Above to Chord Tone | |
| Unit 6 | Lydian b7 - Scale Approach from Above to Chord Tone | |
| Unit 7 | Spanish Phrygian - Scale Approach from Above to Chord Tone | |
| Unit 8 | Symmetrical Diminished (half-whole) - Scale Approach from Above to Chord Tone | |
| Unit 9 | Altered Scale Approach from Above to Chord Tone | |
| Unit 10 | Locrian - Scale Approach from Above to Chord Tone | |
| Unit 11 | Symmetrical Diminished (whole-half) - Scale Approach from Above to Chord Tone | |
| Unit 12 | "Have You Met Miss Jones" - Scale Approach from Above to Chord Tone | |
| Module 4 | 3. Chromatic Approach from Below to Chord Tone | |
| Unit 1 | Ionian - Chromatic Approach from Below to Chord Tone | |
| Unit 2 | Lydian - Chromatic Approach from Below to Chord Tone | |
| Unit 3 | Dorian - Chromatic Approach from Below to Chord Tone | |
| Unit 4 | Melodic Minor - Chromatic Approach from Below to Chord Tone | |
| Unit 5 | Mixolydian - Chromatic Approach from Below to Chord Tone | |
| Unit 6 | Lydian b7 - Chromatic Approach from Below to Chord Tone | |
| Unit 7 | Spanish Phrygian - Chromatic Approach from Below to Chord Tone | |
| Unit 8 | Symmetrical Diminished (half-whole) - Chromatic Approach from Below to Chord Tone | |
| Unit 9 | Altered - Chromatic Approach from Below to Chord Tone | |
| Unit 10 | Locrian - Chromatic Approach from Below to Chord Tone | |
| Unit 11 | Symmetrical Diminished (whole-half) - Chromatic Approach from Below to Chord Tone | |
| Unit 12 | "Wave" - Chromatic Approach from Below to Chord Tone | |
| Module 5 | 4. Scale Above, Chromatic Approach from Below to Chord Tone | |
| Unit 1 | Ionian - Scale Above, Chromatic Below Approach to Chord Tone | |
| Unit 2 | Lydian - Scale Above, Chromatic Below Approach to Chord Tone | |
| Unit 3 | Dorian - Scale Above, Chromatic Below Approach to Chord Tone | |
| Unit 4 | Melodic Minor - Scale Above, Chromatic Below Approach to Chord Tone | |
| Unit 5 | Mixolydian - Scale Above, Chromatic Below Approach to Chord Tone | |
| Unit 6 | Lydian b7 - Scale Above, Chromatic Below Approach to Chord Tone | |
| Unit 7 | Spanish Phrygian - Scale Above, Chromatic Below Approach to Chord Tone | |
| Unit 8 | Symmetrical Diminished (half-whole) - Scale Above, Chromatic Below Approach to Chord Tone | |
| Unit 9 | Altered - Scale Above, Chromatic Below Approach to Chord Tone | |
| Unit 10 | Locrian - Scale Above, Chromatic Below Approach to Chord Tone | |
| Unit 11 | Symmetrical Diminished (whole-half) - Scale Above, Chromatic Below Approach to Chord Tone | |
| Unit 12 | "Jazz Blues" - Scale Above, Chromatic Below Approach to Chord Tone | |
| Module 6 | 5. Chromatic Below, Scale Approach from Above to Chord Tone | |
| Unit 1 | Ionian - Chromatic Below, Scale Above Approach to Chord Tone | |
| Unit 2 | Lydian - Chromatic Below, Scale Above Approach to Chord Tone | |
| Unit 3 | Dorian - Chromatic Below, Scale Above Approach to Chord Tone | |
| Unit 4 | Melodic Minor - Chromatic Below, Scale Above Approach to Chord Tone | |
| Unit 5 | Mixolydian - Chromatic Below, Scale Above Approach to Chord Tone | |
| Unit 6 | Lydian b7 - Chromatic Below, Scale Above Approach to Chord Tone | |
| Unit 7 | Spanish Phrygian - Chromatic Below, Scale Above Approach to Chord Tone | |
| Unit 8 | Symmetrical Diminished (half-whole) - Chromatic Below, Scale Above Approach to Chord Tone | |
| Unit 9 | Altered - Chromatic Below, Scale Above Approach to Chord Tone | |
| Unit 10 | Locrian - Chromatic Below, Scale Above Approach to Chord Tone | |
| Unit 11 | Symmetrical Diminished (whole-half) - Chromatic Below, Scale Above Approach to Chord Tone | |
| Unit 12 | "Alone Together" - Chromatic Below, Scale Above Approach to Chord Tone | |
| Module 7 | 6. Embellished from Above Approach to Chord Tone | |
| Unit 1 | Ionian - Embellished Whole Step Above Approach to Chord Tone | |
| Unit 2 | Lydian - Embellished Whole Step Above Approach to Chord Tone | |
| Unit 3 | Dorian - Embellished Whole Step Above Approach to Chord Tone | |
| Unit 4 | Melodic Minor - Embellished Whole Step Above Approach to Chord Tone | |
| Unit 5 | Mixolydian - Embellished Whole Step Above Approach to Chord Tone | |
| Unit 6 | Lydian b7 - Embellished Whole Step Above Approach to Chord Tone | |
| Unit 7 | Spanish Phrygian - Embellished Whole Step Above Approach to Chord Tone | |
| Unit 8 | Symmetrical Diminished (half-whole) - Embellished Whole Step Above Approach to Chord Tone | |
| Unit 9 | Altered - Embellished Whole Step Above Approach to Chord Tone | |
| Unit 10 | Locrian - Embellished Whole Step Above Approach to Chord Tone | |
| Unit 11 | Symmetrical Diminished (whole-half) - Embellished Whole Step Above Approach to Chord Tone | |
| Unit 12 | "There Will Never Be Another You" - Embellished Whole Step Above Approach to Chord Tone | |
| Module 8 | 7. Embellished Above, Chromatic Below, Approach to Chord Tone | |
| Unit 1 | Ionian - Embellished Whole Step Above, Chromatic Below Approach to Chord Tone | |
| Unit 2 | Lydian - Embellished Whole Step Above, Chromatic Below Approach to Chord Tone | |
| Unit 3 | Dorian - Embellished Whole Step Above, Chromatic Below Approach to Chord Tone | |
| Unit 4 | Melodic Minor - Embellished Whole Step Above, Chromatic Below Approach to Chord Tone | |
| Unit 5 | Mixolydian - Embellished Whole Step Above, Chromatic Below Approach to Chord Tone | |
| Unit 6 | Lydian b7 - Embellished Whole Step Above, Chromatic Below Approach to Chord Tone | |
| Unit 7 | Spanish Phrygian - Embellished Whole Step Above, Chromatic Below Approach to Chord Tone | |
| Unit 8 | Symmetrical Diminished (half-whole) - Embellished Whole Step Above, Chromatic Below Approach to Chord Tone | |
| Unit 9 | Altered - Embellished Whole Step Above, Chromatic Below Approach to Chord Tone | |
| Unit 10 | Locrian - Embellished Whole Step Above, Chromatic Below Approach to Chord Tone | |
| Unit 11 | Symmetrical Diminished (whole-half) - Embellished Whole Step Above, Chromatic Below Approach to Chord Tone | |
| Unit 12 | "On Green Dolphin" - Embellished Whole Step Above, Chromatic Below Approach to Chord Tone | |
| Module 9 | 8. Chromatic Below, Embellished Above, Approach to Chord Tone | |
| Unit 1 | Ionian - Chromatic Below, Embellished Whole Step Above Approach to Chord Tone | |
| Unit 2 | Lydian - Chromatic Below, Embellished Whole Step Above Approach to Chord Tone | |
| Unit 3 | Dorian - Chromatic Below, Embellished Whole Step Above Approach to Chord Tone | |
| Unit 4 | Melodic Minor - Chromatic Below, Embellished Whole Step Above Approach to Chord Tone | |
| Unit 5 | Mixolydian - Chromatic Below, Embellished Whole Step Above Approach to Chord Tone | |
| Unit 6 | Lydian b7 - Chromatic Below, Embellished Whole Step Above Approach to Chord Tone | |
| Unit 7 | Spanish Phrygian - Chromatic Below, Embellished Whole Step Above Approach to Chord Tone | |
| Unit 8 | Symmetrical Diminished (half-whole) - Chromatic Below, Embellished Whole Step Above | |
| Unit 9 | Altered - Chromatic Below, Embellished Whole Step Above Approach to Chord Tone | |
| Unit 10 | Locrian - Chromatic Below, Embellished Whole Step Above Approach to Chord Tone | |
| Unit 11 | Symmetrical Diminished (whole-half) - Chromatic Below, Embellished Whole Step Above Approach to Chord Tone | |
| Unit 12 | "Solar" - Chromatic Below, Embellished Whole Step Above Approach to Chord Tone |
| Module 1 | Applying Melodic Content Over Jazz Standards | |
| There are no units in this module. | ||
| Module 2 | All The Things You Are | |
| Unit 1 | All The Things You Are Analysis | |
| Unit 2 | Chord Tone Mastery (All the Things You Are) | |
| Unit 3 | Melodic Phrase 1 (All The Things You Are) | |
| Unit 4 | Melodic Phrase 2 (All The Things You Are) | |
| Unit 5 | Melodic Phrase 3 (All The Things You Are) | |
| Unit 6 | Melodic Phrase 4 (All The Things You Are) | |
| Unit 7 | Melodic Phrase 5 (All The Things You Are) | |
| Unit 8 | Melodic Phrase 6 (All The Things You Are) | |
| Unit 9 | Melodic Phrase 7 (All The Things You Are) | |
| Unit 10 | Melodic Phrase 8 (All The Things You Are) | |
| Unit 11 | Melodic Phrase 9 (All The Things You Are) | |
| Unit 12 | Melodic Phrase 10 (All The Things You Are) | |
| Unit 13 | Melodic Phrase 11 (All The Things You Are) | |
| Unit 14 | Melodic Phrase 12 (All The Things You Are) | |
| Unit 15 | Composing a Solo (All The Things You Are) | |
| Unit 16 | Improvising a Solo (All The Things You Are) | |
| Module 3 | Solar | |
| Unit 1 | Solar Analysis | |
| Unit 2 | Chord Tone Mastery (Solar) | |
| Unit 3 | Melodic Phrase 1 (Solar) | |
| Unit 4 | Melodic Phrase 2 (Solar) | |
| Unit 5 | Melodic Phrase 3 (Solar) | |
| Unit 6 | Melodic Phrase 4 (Solar) | |
| Unit 7 | Melodic Phrase 5 (Solar) | |
| Unit 8 | Melodic Phrase 6 (Solar) | |
| Unit 9 | Melodic Phrase 7 (Solar) | |
| Unit 10 | Melodic Phrase 8 (Solar) | |
| Unit 11 | Melodic Phrase 9 (Solar) | |
| Unit 12 | Melodic Phrase 10 (Solar) | |
| Unit 13 | Melodic Phrase 11 (Solar) | |
| Unit 14 | Melodic Phrase 12 (Solar) | |
| Unit 15 | Composing a Solo (Solar) | |
| Unit 16 | Improvising a Solo (Solar) | |
| Module 4 | Giant Steps | |
| Unit 1 | Giant Steps Analysis | |
| Unit 2 | Chord Tone Mastery (Giant Steps) | |
| Unit 3 | Melodic Phrase 1 (Giant Steps) | |
| Unit 4 | Melodic Phrase 2 (Giant Steps) | |
| Unit 5 | Melodic Phrase 3 (Giant Steps) | |
| Unit 6 | Melodic Phrase 4 (Giant Steps) | |
| Unit 7 | Melodic Phrase 5 (Giant Steps) | |
| Unit 8 | Melodic Phrase 6 (Giant Steps) | |
| Unit 9 | Melodic Phrase 7 (Giant Steps) | |
| Unit 10 | Melodic Phrase 8 (Giant Steps) | |
| Unit 11 | Melodic Phrase 9 (Giant Steps) | |
| Unit 12 | Melodic Phrase 10 (Giant Steps) | |
| Unit 13 | Melodic Phrase 11 (Giant Steps) | |
| Unit 14 | Melodic Phrase 12 (Giant Steps) | |
| Unit 15 | Composing a Solo (Giant Steps) | |
| Unit 16 | Improvising a Solo (Giant Steps) |